Time Out London 's Dave Calhoun exclaimed, "Listen to unnerving silence as well as Hans Zimmer's organ-heavy score!" Tim Robey of The Telegraph felt "With the vast sounds of a composer set loose on his grandest ever assignment. However, despite Interstellar's near-identical central melody and instrumentation, few have criticized Zimmer when drawing the comparison. Many critics have noted distinct similarities between the score and the work of Philip Glass, especially Koyaanisqatsi (1982). Reviewing for BBC News, Nicholas Barber felt, "Hans Zimmer's music makes the film seem even more colossal than it would otherwise: Zimmer invokes the original meaning of 'pulls out all the stops', rattling our teeth with reverberating pipe-organ chords." Scott Foundas, a chief film critic at Variety, stated, "Hans Zimmer contributes one of his most richly imagined and inventive scores, which ranges from a gentle electronic keyboard melody to brassy, Strauss-ian crescendos.
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